Somewhere along the line, I became completely obsessed with zombies. I guess it’s not entirely surprising; the only thing that scares me more than zombies are sharks, and I eagerly anticipate the Discover Channel’s “Shark Week” with rabid fervor. The gateway drug that was Feed has extrapolated into a full-blown addiction.
And that’s why I let out a squeal when I heard that Fandango had a sneak peek at the first four minutes of “Warm Bodies,” the quirky teen romance based on the book by Isaac Marion. I have to say, after the video, I’m even more excited about the film. Continue reading
One aspect of Mira Grant’s Newsflesh series I particularly enjoy is how the reader is simply plopped down in the aftermath of a zombie apocalypse and then left to fend for himself. The narrative only drops little tidbits of back-story when the plot requires further explanation of the zombie issue and how the zombies came about. This tactic is the exact opposite of what critics lovingly call an ‘info dump,’ and the text in both books in the series is all the more engaging because of this deft narrative choice.
But for all my appreciation of author Mira Grant’s decision to limit background information, I was left a little wanting. After all, a true zombie-phobe like myself needs to know the precise details of any hypothetical apocalypse in order to properly prepare for the coming doom of humanity. So imagine my delight when Grant produced a filler story between Deadline and the soon-to-be-released Blackout. Countdown is a tight novella (the audio was only about two and a quarter hours) chronicles the days just prior to and through the worst of the first Rising–Grant’s term for the zombie apocalypse that takes place in very-near 2014. Continue reading