[Pitch Slapped] Getting Reviews: Go bold, get noticed

We get a lot of review requests. While we read each and every one of them, all of the dystopian YA and vampire paranormal romance stories start to bleed together because the pitches simply are not distinct enough. Most of them get lost in the abyss; very few stand out enough for us to talk amongst ourselves about pursuing the read.

So when I woke up to a request forwarded to my personal email from CanaryTheFirst, I didn’t need her opening line of “laaaawl” to tell me it was going to be something pretty special. Continue reading

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[Small Chirp] Publishers conspire to overcharge for ebooks?

The US Department of Justice has hit Apple and five of the nation’s largest publishers with an antitrust lawsuit, alleging that they colluded to bump up the price of new ebooks, costing consumers millions. Publisher control over retail prices is made possible by a shift towards a pricing model where publishers set book price and retailers take a commission. The conspiracy itself is purportedly aimed at Amazon, which tends to price ebooks at $9.99–three to five dollars under the price rise ($12.99-14.99) the publishers allegedly caused.

Publishers involved:

  • Hachette
  • HarperCollins
  • Simon & Schuster
  • Macmillan
  • Penguin

Continue reading

[ Pitch Slapped ] Selling the story without the blurb

Before the writer even gets into the plot of their novel, they give a paragraph that we at tCR like to call a “Concept Pitch.” It’s a place where introductions happen, the basic concept of the novel is laid out, genre comparisons are made, and–in general–the part of the pitch where mistakes abound.

Here is a recent email we received in our inbox:

“Hello,

I am an indie writer, according to descriptions I have been reading on the internet lately, and I think I like that much more than just being someone who put her book up on Kindle.  I came to your site while searching for sites that are willing to accept submissions from said indie writers like myself. My twitter handle is WordsWithDani.

I’ve recently published the first volume of The Duck And The Doe series. It is a historical fiction/horror/murder mystery/romance told from first person POV of a two-hundred year old immortal who had a dry wit and love/hate relationship with the mistress that he damned along side him. They are not vampires. I cannot strees that point enough. i keep finding myself lumped into that whole “paranormal romance” but the whole premise is really more of launchpad to explore other issue like the accerlation of technology and society in the past 200 years and how relationships of any nature are not cleanly cut little cookies. Immortality cannot be invoked without some sort of magical mumbo jumbo.

According to the Amazon product description-“

At this point, the author dives into the official blurb. But the first impression of the novel has already been created. Continue reading

[ Small Chirps ] Writers, if you won’t speak up for your writing, who will?

When 11-year-old Kahlo Smith saw that the rules of NPR’s Three Minute Fiction contest excluded minors, she had two options. One, and the one of least resistance, was to let out a deep breath of disappointment and close the browser. Instead, she sent the contest organizers a letter to them know about her interest, ask why they had the 18-and-over-only rule, and tell them about her 600-word story.

Today, All Things Considered featured her question and her short piece of fiction on their program. The age rule stays, but Smith will be receiving an autographed copy of Luis Alberto Urrea’s most recent historic novel, Queen of America, and some NPR-related items for her story. You can read her entry and the full story at the NPR article, Minor Details: Three-Minute Fiction’s Age Rules.

For every thousands of young (and adult) writers who look at the rules (or at the impenetrable design of a publisher site, or the distracted and busy life of an agent), there are one or two individuals who will be willing to put themselves out there and write that letter or ask that question. And in the end, that will set them apart.

So this Saint Patrick’s Day, make the resolution to make your own luck.

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Related Reads:

Small Chirp: The Book as Artifact

From the desk of Melissa, the Library Canary:

There’s so much talk about the future of books lately. As readers turn increasingly to electronic alternatives to paper and the internet book-trade, the usual fingernail-nibbling questions emerge. What will happen to the book?  What will happen to brick-and-mortar libraries and bookstores?

Maybe books will become our bricks and mortar.

A recent trip to Vancouver, BC had me pondering the idea of the book as artifact. In Vancouver, book-oracles seemed to whisper from every street corner, prophesying the destinies of our discarded, unwanted and remaindered books. Here is what they showed me:

The Book Beyond Art:

An art installation at the Morris and Helen Belkin Art Gallery at the University of British Columbia suggests one possibility. Continue reading

[ Pitch Slaps ] Weekend Picks

Part of the Pitch Slapped Series:

Blurbs can make or break the a book’s sales, especially if the reader hasn’t heard about the author before. A strong blurb is a must for query letters and getting the book read.

For this latest installment of Pitch Slaps, we’re going to do something different. We’ve talked about a lot of things that go wrong when an author writes a blurb. So instead, here is the cream of the blurbing crop from indie books recently submitted for review.

SECTOR C by Phoenix Sullivan

“Cloning Ice Age mammoths and saber-tooth cats for canned hunts seems like a good business venture — until it reintroduces the species-jumping pandemic that wiped out the megabeasts 10,000 years ago. Now history is about to repeat itself, with humans the next target for extinction.”

What works: In two sentences, the book blurb sets up the world (ours, futurist), genre (science fiction, speculative, medical thriller) and the conflict (extinction! corporation-style). It’s clear, concise, and clever.

What doesn’t: The truth of it is, I cut the rest of the blurb (not shown here), going from four paragraphs to the one (shown here).


The Phoenix and the Dream King’s Heart by James Monaghan

“The Phoenix is a cursed ship.

Exiled to the Darkland Expanse, on the fringes of the known galaxy, its captain and crew have spent the last decade struggling just to stay alive. In a galaxy full of cruel gods, terrifying monsters and treacherous allies, though, survival is far from an easy task.

When the King of Dreams offers them a bargain – retrieve his stolen heart in return for a key that may just get them home – Captain Asher Lee and his crew agree to launch a desperate mission across dimensions. When faced with an insane goddess and her army of quantum spiders, though, do they really have a chance?”

What works: This is an example of a blurb that does it all–dramatic tension, a hint at the plot, and a glimpse of the world. It adds an extra lure by promising to combine science fiction (space, dimensions…) with fantasy (gods, monsters…). And of course, who doesn’t like a story that has some treacherous frenemies?

Torn by Dean Murray

“Shape shifter Alec Graves has spent nearly a decade trying to keep his family from being drawn into open warfare with a larger pack. The new girl at school shouldn’t matter, but the more he gets to know her, the more mysterious she becomes. Worse, she seems to know things she shouldn’t about his shadowy world.

Is she an unfortunate victim or bait designed to draw him into a fatal misstep? If she’s a victim, then he’s running out of time to save her. If she’s bait, then his attraction to her will pull him into a fight that’ll cost him everything.”

What works: This blurb takes a different approach. It woos the reader with the very fact that it presents the traditional star-cross-lovers plotline with a dash of paranormal intrigue. There will be romance and there may be betrayal, it says, and in the YA PNR genre, what more can you ask for?

What doesn’t: As a reader, I would love to see what sets this book apart. There is safety in being generic in this genre, but give me a hint of something concrete.

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Do you have a pitch or synopsis that you’d like to send to the sacrificial altar?  Email it our way with the subject “Pitch Article Submission” at canarypost@gmail.com. 

Read more slapped pitches here.

[ Small Chirps ] Can you publish your NaNoWriMo novel?

National Novel Writing Month (NaNoWriMo or NaNo, for short) is in full swing, and hundreds of thousands of aspiring writers worldwide are hitting Week 2 of their attempt to write 50,000 words in 30 days. This is my third year doing NaNo, and so far it’s going well: I’m over 2,000 words ahead, giving me a nice cushion in case I have an off day later in the month, and I’ve got a list of writing prompts to help ease me through the notorious second-week slump (for those new to NaNoWriMo, the second week is when the novelty of the story wears off, but the end is still nowhere in sight. It’s a dark time).

I do NaNoWriMo because I become a part of a great community, join a solid writing boot camp to kick productivity into high gear, and the pressure often results in my creative energy leaping off into directions far different from where it goes for most of the year. I do NaNo, in fact, primarily for the excitement of doing NaNo, but there’s always that voice that crops up, from a friend or family member, fellow writer or even that nagging voice in the back of my own mind.

What many of us really want to know at the end of the day is: Will this month of frenzied writing leave us with something we can publish?

Yes and no. Continue reading