With this release, all of Stephanie Meyer’s books have officially been made into movies. When I got the book, I had very low expectations, and Host-the-book exceeded them by far (okay, low bar, but you know). Unfortunately, this meant that I went into the movie expecting a good movie. That it had Saoirse Ronan, who’s played the lead in Hanna and The Lovely Bones, and a great trailer soundtrack by Imagine Dragons didn’t help at all.
The movie floundered in all the places I would have expected, if I had turned on the critical thinking sector of my brain for a half minute or so before stepping into the theater. (I hadn’t). The movie struggled to convey the difficult relationship between Melanie and the alien inside her head, didn’t have the time to show the gradual and difficult way that Wanda finally achieved acceptance, and had to speed through a lot of the emotional relationship angst that I found both so incredibly annoying and riveting in the book. I say, see it if you land on it while flipping channels or scrolling around Netflix, but don’t agonize too much if don’t.
I am still unconvinced that we need three movies to cover a 300-page book, especially when almost all of the battle scenes in The Hobbit: An Unexpected Journey dragged on just a bit too long. That said, I will totally grant that squishing it all into one movie would have been just as bad in the opposite direction. The Hobbit was entertaining, pretty, and a lot of fun in IMAX 3D – though less impressive when I watched it on a regular screen later. The special effects, as always, were great and the extra scenes they brought in from outside The Hobbit flowed well with the story.
I give it three canaries. Totally worth seeing once, but maybe not twice.
I picked up Beautiful-Creatures-the-book with the knowledge that the movie was coming out in less than a month. And when I put it down, I thought, “well, gosh, how in the world are the movie people gonna pull this off?” If you’ve read the book (or our review of it), you probably know what I’m talking about. There are plots within plots, and a lot of the emotional brunt of the story is all inside small-town misfit’s Ethan’s head.
Still, the movie pulls it off – mostly by cutting characters and snipping away at pivotal scenes. But this strategy means that what is left holds together in a coherent storyline with only a few questions left unexplained. I was pretty impressed. And what the movie couldn’t do with the original story, it more than made up with the great acting. Continue reading