Now, I’m gonna say that I’m not a literary agent. I read books. A lot of books. And websites and stuff. So when Jodie emailed us and submitted an agent query for a pitch slap, I was briefly confuzzled, then nervous, and then I dove in. Here’s my canary stab at talking about agent queries!
For this pitch slap, I’m going to press pause on the blurb itself and instead talk about the stuff around it.
Chirp! We are going to start the new year off with some brand new pitch slapping and fit tossing. In our Pitch Slapped series, we take a book blurb or a book pitch, and then proceed to pull it apart and stick it back together – all the while answering those pesky questions like: What works? What doesn’t work? What could be done differently? Why?
Here are a few of my favorite from last year:
A pitch slap! In tiny, tiny text.
I have a few pitch slap requests lined up, but I am always looking for more.
Do you have a pitch or synopsis that you’d like to send to the sacrificial altar? Or do you know an author who does?
Email it our way to firstname.lastname@example.org with “Pitch Article Submission” in the subject.
When Julie sent a pitch our way, I was immediately pulled in by the fun tone of its opening. But as I read on, I realized I wanted more–more details, more clarity, more focus. In this latest installment of our Pitch Slapped series, I’m going to talk about the two major challanges to writing a great blurb: clarity and structure.
But first, here is the blurb itself:
So what’s happening here? A lot.
It’s the future, and we get an alien species, a country wanting to clamber up onto a warpath, and a heroine with possible superpowers (does she get wings, I wonder?) with a Kill Bill sort of vendetta. Sounds perfect! But we did sight a couple potholes on this book’s blurb-road to bestseller-dom… Continue reading